Saussure in Course in General Linguistics
Ferdinand De Saussure believes that language is an object in the “heterogeneous mass of speech facts”. In Course in General Linguistics, Saussure is able to decipher the concept of language and how one perceives it.
The essay begins with the “nature of the linguistic sign”. Saussure believes that individuals tend to view language as a “naming process”, as they simply list words that correspond to a thing. It is this mindset that allows one to believe that connecting a name to a thing is a simple process, however, this is not true.
Saussure begins his argument by introducing the sign, signified, and the signifier. Essentially, these terms are used in order to break down the process in which names are given. The issue, he believes, with the pre-conceived notion of ‘name giving’ is that it is not complex enough; there is no evidence that shows if it is “vocal or psychological by nature” (852). The sign, however, is what unites a “concept and a sound-image” rather than a “thing and a name”. Saussure explains that the two elements are then depicted as a two-sided psychological entity. The two elements are “intimately united”. An example of this would be how the sound that a pig makes brings the image of a pig to someone’s mind. The two are connected and there is an exchange of some sort, which honestly, is quite beautiful. It is an exchange that we do not notice, as it is embedded in our minds since childhood, becoming something that ‘just is’. Saussure, however, forces us to acknowledge this seamless bond between sound and image.
Another distinction of the sign that Saussure delves in is the fact that it is “arbitrary”. He uses an example where he points out that “sister” is not connected to any succession of sounds. However, he follows this statement with two objections that may show evidence that the sign is not always arbitrary. The two instances that he brings up are “onomatopoeia” and “interjections”. When it comes to onomatopoeia, Saussure explains different words in the French language may have the same sound, but when the Latin roots of the words are examined, their meaning is entirely different. When it comes to authentic onomatopoeia, the same idea is present. Fot example, the English term bow-wow is spelled differently than the French version, ouaoua. Saussure states that, “not only are they limited in number, but also they are chosen somewhat arbitrarily, for they are only approximate and more or less conventional imitations of certain sounds…” (855). When it comes to interjections, the same rule applies. He says that there is “no fixed bond between their signified and their signifier” (855). An example of this would be the English term ‘darn’ in comparison to the French term ‘diable’ or the English term ‘golly’ in comparison to the French term ‘mordieu’, which stems from mort Dieu, or ‘God’s death’. Evidently, there is no evidence that shows the true connection, which is what deems them arbitrary.
Saussure also mentions this idea of ‘phonetic evolution’, which is essentially broken up into two parts that, much like sound and image, seem to go hand in hand. He takes a look at parole, which is speech, and langue, which is the evolution of language. The langue is depicted as the overall ‘system’ and the speech is the ‘output’, which is essentially the right hand man for langue. In other words, language is the foundation; like the structure of a house when it is first built. It is internal, which means it has all the inner workings that one cannot see, but understands. The parole, however, is face of the house; the nic-nacs and the furniture and the individualized aspects that make a home. It is the external aspect, which is both audible and visible to the speaker. The langue, is the collective aspect. Both, however, must go hand in hand in order to obtain a true understanding of language as a whole. Without the basic language, one cannot necessarily have speech, can they? I mean, if we don’t know what we’re saying, then what’s the point? Parole consists of utterances, which are infinite and free. Langue consists of grammar, which is simple, but constrained. One is taught the basics of language, both black and white, right and wrong, and then they are able to translate these strict rules into a freeing form of sound. Just like the pairing of sound and image, the pairing of parole and langue work just the same. One is needed in order for the other to have meaning or purpose. Saussure does a wonderful job of deconstructing his study of the sign and how it branches out into a greater understanding of phonetic evolution. With the help of the basic blueprints of language, we then are able to evolve with language in order to create speech that is vast and infinite. I suppose we can add these to the list of iconic duos. I mean, with sound and image paired beautifully and parole and langue working harmoniously, pb and j, milk and cookies, and spaghetti and meatballs all have a run for their money.

