What Gender Means
In Judith Butler’s “Gender Trouble” she first talks about how the idea that the mind and the body are in fact inseparable, which is the foundation of her argument and I find incredibly interesting. I’m also not sure I entirely agree with the idea that the mind and body are inseparable because if you were able to upload your head into a computer, then you would be able to disconnect your mind from your body. It would have been intriguing if Judith explored this idea, since it questioning how important having ones own body is, and weather or not having a body is paramount to being human. That if the self within us, is put in a different body then are we the same person that we were when we had our original body. However, Judith believes that we are bound to our bodies and that the idea of gender which we have formed through these bodies has only been a social construction in which we choose to act out. She even talks about how “Foucault writes, ‘Nothing in man-not even his body-is sufficiently stable to serve as the basis for self-recognition or for understanding other man'”. (pg. 2543) and mentions how she agrees with Foucault’s point that this idea of man and woman can’t be used as a foundation for who we are, since they are defined through history. Meaning that these ideas of gender were constructed in our past, and we have always taken them as fact simply because it had always been that way. However, Judith takes it a step even further, when talking about Kristeva and her idea of how we identify ourselves through the abjections of others, so that we can borders between what it means to be a man or a woman. Judith goes on to point out that these abjections are in the end useless, since men have feminine aspects, and women have masculine aspects to themselves. She goes on to state how we are only playing the roles of gender, since the idea of gender in of itself is a paradox. This paradox of gender is no better portrayed then towards the end of the piece when Judith talks about when “Newton writes: Drag says “my outside” appearance is feminine, but my essence ‘inside’ is masculine” At the same time it symbolizes the opposite inversion; “my appearance ‘outside’ is masculine but my essence ‘inside’ is feminine.” (pg.2549). It shows how we can advantage of the idea that gender is a role we play, much like Nietzsche’s point of how authors and poets use the idea of our language being completely arbitrary as the building blocks of writing, in turn breathing new life into how we view our own world.

